Wednesday, August 26, 2009

Trusting in the Wizard of Oz?



John 2:24-25 (The Message)

"During the time he was in Jerusalem, those days of the Passover Feast, many people noticed the signs he was displaying and, seeing they pointed straight to God, entrusted their lives to him. But Jesus didn't entrust his life to them. He knew them inside and out, knew how untrustworthy they were. He didn't need any help in seeing right through them."

When I need guidance I look to the Word of God and read about the author and finisher of our faith on earth, Jesus Christ. John tells us that Jesus knew that the heart of mankind was untrustworthy. He realized that people were trusting him more t because of the wonderful things he did. He knew that when the time came that he would do something that they did not understand they would turn against him. I am thinking of the song from the Wizard of Oz, the lyrics go " If ever or ever a wiz there was, the Wizard of Oz is one because, because of the wonderful things he does".The people, during those days at the wedding feast thosught they had arrived at the Emeral City instead of of Jerusalem. Come see the Wizard, was in effect the way they were approaching Jesus and their trust extended only so far as his ability to bestow tokens in the form of miracles, or the wonderful things he did. Today we approach Christ in a similar "bless me" fashion and like the crowd in the end of the story disappear when the prizes are all handed out and the time for sacrifice arrives. In the remainder of the story, only a few women lingered, sitting vigil at the foot of the cross when Jesus made the ultimate sacrifice, everyone else ran for cover or hid. In any given situation, are you off to see the Wizard or sitting at the foot of the cross at the feet of Jesus? I have been in both places at various times in my life. At the foot of the cross there is suffering and death, the refuse of life is strewn around. Scavenger animals pick at decaying flesh. Can you sit at the foot of the cross, the dark place where hope seems to be gone? Can you believe in the Son even when it doesn't shine? Can you see what springs forth when flesh is crucified and God is glorified?

Thursday, May 28, 2009

Six Word Memoir


Six Word Memoir

In the blog Abbey of the Arts, Christine Valtner Paintner asks, " What six word memoir would describe your life at this present moment?" She used these words to describe herself," urban monk bearing witness to beauty". After a few brief moments of thought I wrote these words: "Passing by watering gardens, seeking rest". As there are many types of gardens for different purposes, so there are many situations in life, home, work, neighborhood, church, organizations, school. In all of these I have endeavored to pour the living water of God's love and mercy. I now find that the pitcher is running dry. Where there was once the joy of the mountains, my interior landscape is looming as flat as a Kansas prairie. Putting six words togther in this fashion was a good way to guagw the condition of my soul. Put six words togther and describe the condition of your soul. Is is well with your soul? It isn't well with mine, but I know the well to draw from, the water is sweet and I am taking long drinks and resting in the shade. I'll be back shortly I expect, God willing.

Tuesday, May 26, 2009

Worship Arts Festival At Ascension Anglican Church,Pittsburgh


I am posting this announcement from an area calendar posting on behalf of my friend Suzanne Trenney on of the artists involved in the Convergence Worship Arts Festibal Saturday, May 30 2009 in Pittsburgh , Pa. Suzanne Trenney's worship arts have been featured in an earlier blog posting on this site and she has her work also posted on the Ascension church site. The Ascension Church is also the place where the Saltworks Theatre resides. Here is the article copied and pasted from the community bulletin board for your information should you wish to attend:

CONVERGENCE: Community Arts Worship Festival

The Church of the Ascension presents Convergence, an experience in the arts for people of all ages. This unique community arts festival is an exploration into the eddies of art and faith. Experience this kaleidoscopic presentation by local artists in painting, multimedia, drawing, sculpture, calligraphy, mosaic, song, story, poetry, photography, music and much more. Convergence will be held on Saturday, May 30th 2009 from 12:30-4:30 PM at Church of the Ascension, 4729 Ellsworth Ave. in the Oakland/Shadyside area. Admission is free. The schedule includes:

A performance by The Ascension Youth Band, Broken Glass
Scene reading and monologues by Pittsburgh Shakespeare in the Park
The Ascension Puppet Troupe
Children’s Stories with Jude Blank
Lucy Scandrett and the Harp Orchestra
Sacred Stories with Roland VendeLand
Alan Irvine performing Parables and Legends
The Music of the Organ with Jeanne Kohn
David Minniefield’s one man show “Ecclesiastes”
Dance by James Gilmer
Blues Guitar with Mike Janiszewski
Poetry Reading by Lucille Seibert
Hands on crafts and Puppet making for all ages

Ascension prides itself on being a place of belonging where a wonderfully eclectic slice of Pittsburgh gathers to learn and worship. Many visual and performing artists have found a home at Ascension. Several area arts groups are active and supported from within the church community. For more information call Alan Irvine at 412-521-6406. Directions are available at www.ascensionpittsburgh.org The image is Suzanne Trenny's "Laundry Day"

Friday, May 08, 2009

The Art of Healing

Below is a portion of the text found at: http://www.bib-arch.org/e-features/ancient-medicine.asp#location1 This article discusses ancient mideastern healing practices especially among the early Jews, including the practice of excluding someone from the temple. The authors thesis is that because there were so many outcast from the temple because of disability they group in small communities together to support one another. When Christ came he ministered to these and the Christian movement exploded. I feel that if we follow Christ's example, people will come, be healed, refreshed and made whole. The key is studying and then following the original blueprint.

"By the post-Exilic period (after the return of the Exiles from Babylon in the late sixth century B.C.E.), official concern over health had greatly expanded. The Priestly Code, exemplified mainly in the book of Leviticus and completed in the early post-Exilic era, contains the most complete health care policy in the Hebrew Bible. Its most notable provision is that persons stricken with tzaraath (usually translated as “leprosy”) were banned from the Temple and, indeed, from the community. Priests acted, in effect, as public health officers who diagnosed the condition and decided whether such persons merited expulsion from society.

“Leprosy,” as used by Leviticus, cannot be identified with any single disease known to modern medicine.g Its key involved chronic discoloration of the skin (or almost any surface, including the walls of houses!). Thus, any of a number of diseases that produce chronic changes in the skin was probably diagnosed as leprosy, including skin cancer, psoriasis and lupus erythematosus, if these diseases existed in any significant form at that time.

The “treatment” for this chronic illness was removal from the community for as long as the disease persisted. From Leviticus 13:45–46, we can deduce the following scenario after the diagnosis had been made:

1) The patient is to shout out “Impure, Impure”;

2) the patient shall live alone;

3) the patient shall live outside the camp community;

4) this exile lasts as long as the affliction.

Why this four-step process? The usual response is fear of impurity or contagion. But this is too simple. Recent anthropological studies show that the definitions of contagion and impurity are as much a matter of socio-economic status as they are expressions of the fear of contagion.8 In other words, socio-economic status, and not simply fear of contagion, plays a role in deciding who and what is declared impure by those who have the power to define impurity.

The priestly establishment may have sought to classify as “impure” those members of society who posed the greatest socio-economic burden. The blind and the lame (see 2 Samuel 5:8), for example, who should have posed no real threat of contamination or contagion, were excluded from the Temple. In effect, the Priestly Code advocated a health care policy by which the state unburdened itself completely of the care for at least some of the chronically ill. The eradication of chronic illness would be left for a future messianic utopia. Indeed, Ezekiel 47:12 attributes a possible therapeutic function to the future Temple and its garden:


“By the river on both banks (shall be) every type of tree fit for food. Their leaves shall not wither, and its fruit shall never cease. Every month it shall renew its fruit, for its waters spring from the Temple itself; And its fruit shall be fit to eat, and its leaves (shall serve as) medicine.”

The community responsible for the Dead Sea Scrolls was even stricter toward the chronically ill. Certain patients were expressly forbidden to enter the sanctuary city, according to the Temple Scroll (11QT 45:12–13):9

“All blind persons shall not enter into it for their entire life, so that they might not defile the city within which I dwell.”

Concerning the “leper,” the Temple Scroll (11QT 45:17–18) states:

“Any ‘leper,’ or afflicted (person) shall not enter it [the holy city] until they are purified. Once he is purified, he shall offer. . .”

These policies, while no doubt causing emotional hardship to the families of the chronically ill, probably did check the spread of many contagious diseases. In contrast, Greek temples of Asclepius, which welcomed the chronically ill, including lepers, may have helped to spread disease by concentrating the sick in small spaces.

The Priestly Code’s hard-line attitude towards the chronically ill may have unwittingly served to provide a springboard for the rise of Christianity. The code was responsible for the growth of chronically ill populations with little access to the Temple. Since Jesus and his disciples appear to target these populations (Matthew 10:8; Mark 14:3), early Christianity can be seen, in part, as a critique of the Priestly health care system.

Early Christianity recognized that illness was not necessarily a sign of God’s disfavor or anger (Matthew 15:22; Luke 11:14; John 9:2). Christianity also emphasized that the cure for illness was available in this world. Yet, while criticizing the Priestly health care system, Christianity preserved many older Hebrew traditions regarding miraculous healings (Acts 5:16, 9:34) and collective health (James 5:16), though the influence of Hellenistic healing cults, including the Asclepius cult, also may be seen: For example, both Jesus and Asclepius were called soter (Greek for “savior”), both stressed the role of faith in healing and both used similar procedures, such as using spit to cure eye ailments. Further, many of the healing testimonies of Asclepius (particularly those written on a fourth-century B.C.E. inscription at a temple of Asclepius in Epidauros, Greece), like the healing stories related in Matthew 9:18–34, consist of a series of short healing stories that sometimes report the specific number of years that a patient has been afflicted.


In short, disagreements about the ideal health care system among Jewish sects may have been one of the prime factors in the development of Christianity."

If Chrisitianity is in decline today, what are we being short sighted about? This article has touched on some practices of exclusion we may consider when we attend worship on Sunday or any other day. It seems our ministry is done best in remote locations on mission trips. WHo are we excluding in our congregation, our neighborhood, our community. Who does not feel welcome to enter the temple for worship because they are "unclean?"

Monday, January 26, 2009

Worship Arts Festival





A note from the Erie-Meadville District Superintendent:
Friends,
We are called to offer our very best to God at all times, and especially when we gather for worship. Our creative expression of praise and thanksgiving honors our Creator God.
The Worship Arts Festival offered by the Erie-Meadville district on Saturday, February 28, 2009 from 8:30 to noon at Edinboro UMC is designed to help your congregation honor God in new ways.
You and your team will come away from this event inspired and equipped to lead the congregation to a higher and deeper level of worship.Now is the time to help your worship committee move beyond ordering altar flowers and signing up acolytes. Now is the time to form a team who desires to offer God the very best of the congregation’s talents.Please print the attached flyer and post it to promote this event. Your individual invitations supported by your personal commitment to the importance of worship are the best way to gather a team.

Register today using the attached form to ensure a space in your preferred workshop.
Peace,

Pat Harbison

Sunday, January 18, 2009

Theresa Cates, sojourner with a paintbrush





On February 5, 2009 Theresa Cates will have a solo exhibition at the Red Door Gallery, 3715 JFK Blvd
North, Little Rock, Arkansas 72116. What is the big deal about Theresa Cates , who is she and why should I be interested you may be asking? Well since you are wondering... we are currently mourning the loss of a great American painter, Andrew Wyeth, a man who seemed to capture the essence of the mystery of life on canvas and paper in a simple and evocative way. Just as I was mourning the loss of the visual richness of this man, I stumbled across an article about thirty nine year old African American artist, Theresa, who began her "art career by doodling on the backs of bills. Her work is reminiscent to me of Harlem Rennaisance painter Jacob Lawrence, whom I greatly admire for his ability to use color and shape boldly while telling a story on canvas.Theresa was commissioned to paint switch boxes and bus stops in her native Arkansas and painted what she knew and loved best, people in church worshipping the Lord. She shows all the passion of the African American worship tradition in her work. Having just come from a staid and proper formal worship event at my church, I found her paintings stirred in my heart a longing for more passionate expressions of spirituality. Her her church paintings evoke the type of imagrey and passion that I imagine of the scene in which a woman poured expensive ointment on Jesus's feet and then wiped them with her tears while the rest of the folk sat upright and all proper in their chairs. Here are a few images from the Cates' exhibition. This is an artist whose work I hope to be able to see someday, other than in internet thumbnails. I think she has a lot to say if we will pay attention.

Monday, January 12, 2009

Northwestern Pennsylvania Worship Arts Festival


Saturday, February 28, 2009 at the Edinboro united Methodist Church 118 High Street, Edinboro, Pa. there will be a Worship Arts Festival and Conference sponsored by the Erie Meadville District of the Western Pennsylvania Annual Conference of the United Methodist Church.The registration begins at 8am and worship at 9. Following an inspiring worship service participants will choose one of the eight specialized workshops to attend, providing hands-on opportunities to learn technique, style and acquire the tools to implement the arts in their worship settings. The Rev. John Zimmerman will be teaching a Multi-media workshop. Liturgical Dance and Expression will be presented by Michelle Hunt. Praying in Color and Visual Arts in Worship will be presented by Carole Werder and Suzanne Trenney. Puppet Ministry will be led by Bob Klingler.The Rev. Roy Gearhardt will teach a Drama workshop and Liturgical Weaving will be led by Mathilda Murphy. Glenn Rankin will present Creating Coffeehouse ministries and Alternative Worship and Margo Evans will present a worksop on building Praise Bands and blending worship.A light lunch will follow for all who attend. To register contact the Erie-Meadville District office UMC, 5304 US HWY 19, Cochranton, PA 16314. Make check or money order for 10$ payable to the Erie-Meadville district UMC to cover the registration fee and mail to the district office along with your contact information. Students are free. See you there!